The 'Critical Reconstruction' made rethinking the role of the city and its citizen's future
requirements impossible, leaving no choice but to embrace a city scape of stone clad streets
with no element of surprise or irregularity. It also denied the city adequate recognition
of history's large 'unplanned' interventions such as the Wall, Berlin's most famous landmark.
Lost tourists are now often seen puzzling over maps and asking directions to the one monument
in Berlin which enjoys international notoriety.
A return to the nineteenth century is not only impossible, but unhealthy for a city plying
its muscle after decades of dormancy. If it ever wishes to regain its status as a thriving
metropolis, Berlin cannot afford to become a cheap caricature of the city bombed into oblivion
50 years ago. A city is not a tile pattern which can be restored, rather an organism which
must re invent itself.
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An innovative point of departure for re planning Berlin could have been found by observing
the ad-lib activity in the gaps during the early 1990's. The 'empty' areas in the east were
rapidly colonised by international expatriates, and were used as needed for impromptu performances,
exhibitions, techno clubs, workshops, and living space. During the first years after reunification
many new berliner hallmarks evolved from this chaotic brew - Kunst Werke, The Love Parade,
Tacheles, and Pfefferberg to name a few.
Parklücken explores the potential of gaps as generative urban form, these gaps are preserved
as indeterminate spaces where a city can find new inspiration. 'Parklücken' proposes
minimal support for the rogue activities prevalent in four specific gaps around Rosa Luxemburg
platz in Berlin Mitte. It creates empty space for the people who need it, and use it, with
out permission. The project establishes the minimal physical requirements for spontaneous
activity which is normally displaced by investment interests.
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